giovedì 22 ottobre 2015
domenica 4 ottobre 2015
domenica 13 settembre 2015
Viola d'Amore by G. Saint-George, London 1914
A Viola d'Amore by G. Saint-George, London 1914. The tail piece inlaid with various woods showing the form of a dital harp, the fingerboard similarly inlaid showing an Irish harp on a shield with the cross of St. George. The flame sound holes, the back inlaid with geometric patterns and a shield bearing the cross of St. George. The peg-box terminating in a knight's head
martedì 8 settembre 2015
lunedì 27 aprile 2015
domenica 12 aprile 2015
martedì 7 aprile 2015
Viola d'amore by Johann Joseph Stadlmann, Wien, 174_
Label:
Joann = Joseph / Stadl = mann / Kayserl = Königl / Hof Lauten = und
Geigen / macher in = Wienn 174_ ( = shows where the Imperial Eagle
divides the text)
Johann Joseph (1720-1781) was the son of Daniel Achatius Stadlmann (ca. 1680-1744), the founder of this distinguished Viennese dynasty of luthiers in the 18th C. In fact, Daniel Achatius was entrusted with the Imperial monopoly on the wood trade for the guild of luthiers, which explains why the instruments of this Family were constructed from the finest, first-choice materials.
Johann Joseph (1720-1781) was the son of Daniel Achatius Stadlmann (ca. 1680-1744), the founder of this distinguished Viennese dynasty of luthiers in the 18th C. In fact, Daniel Achatius was entrusted with the Imperial monopoly on the wood trade for the guild of luthiers, which explains why the instruments of this Family were constructed from the finest, first-choice materials.
Johann
Joseph (1720-1781) war der Sohn Daniel Achatius Stadlmanns(um
1680–1744), des Gründers dieser bedeutenden Wiener Geigenbaudynastie des
18. Jahrhunderts. Daniel Achatius verfügte sogar über das Monopol des
Holzhandels der Innung, weshalb seine Instrumente aus den erlesensten
Klanghölzern hergestellt worden sind.
domenica 22 febbraio 2015
Viola d'amore 7+7. Germany, 19th century
Label:
Felix Mori Costa
Fecit Parmae
anno 1806
http://www.musicantic.eu/strumenti-ad-arco/viola-d-amore/viola-d-amore-germania-xix-secolo-_1808_it_D.html
martedì 17 febbraio 2015
Museum of musical instruments, Palais Lascaris, Nice
Restauration d’une viole d’amour anonyme, faite vers 1880, portant une étiquette apocryphe "Gagliano,1667"
http://www.sinier-de-ridder.com/restaurations/gagliano.html
http://www.grandsudinsolite.fr/551-06-alpes-maritimes-le-palais-lascaris--musee-des-instruments-de-musique-anciens.html
http://www.sinier-de-ridder.com/restaurations/gagliano.html
http://www.grandsudinsolite.fr/551-06-alpes-maritimes-le-palais-lascaris--musee-des-instruments-de-musique-anciens.html
lunedì 16 febbraio 2015
Henri Casadesus (Paris, 1879-1947)
Henri Casadesus, c. 1900
Born in Paris on 30 September 1879 son of Luis Casadesus and Mathilde Sénéchal
Died in Paris on 31 May 1947
He received his first musical instruction with Lavignac and Laforge. Between 1910 and 1917, he was the altoist of the Capet quartet. He also directed the "Théatre de la Gaité Lyrique" in Paris and the Liège Opera (Belgium). Charged with diplomatic and artistic missions abroad, mainly in the USA, he founded, in 1901, in collaboration with Camille Saint-Saîns, the Society of Ancient Instruments (la Société des Instruments Anciens) aimed at reviving on 17th and 18th century instruments, unknown musical works from the masters of the time. Between 1901 and 1939 , the society travelled 350 000 km, performing in many countries, including Russia and the USA. Among its members, it counted: Henri Casadesus (viola d'amore), Marius Casadesus (quinton), Régina Patorni-Casadesus (harpsichord), Lucette Casadesus (viola da gamba) and Maurice Devilliers (bass-viol).
In the course of his travels, Henri Casadesus assembled a remarkable collection of rare and ancient instruments which is currently housed by the Museum of Symphonic Orchestra in Boston.
Five children : Catherine, Jacqueline (with Renée Delerbat) Christian, Gisèle (with Marie-Louise Beetz) Bernard (with Jeanne Montange)
He authored several operettas ("Le Rosier", "Sans tambour, ni trompette", "La petite-fille de madame Angot", "Cotillon III"), melodies, pieces of film music ("Le gardian", "Les mystères de Paris", "Paris-New-York") and a book titled "Méthode de la viole d'amour".
Died in Paris on 31 May 1947
He received his first musical instruction with Lavignac and Laforge. Between 1910 and 1917, he was the altoist of the Capet quartet. He also directed the "Théatre de la Gaité Lyrique" in Paris and the Liège Opera (Belgium). Charged with diplomatic and artistic missions abroad, mainly in the USA, he founded, in 1901, in collaboration with Camille Saint-Saîns, the Society of Ancient Instruments (la Société des Instruments Anciens) aimed at reviving on 17th and 18th century instruments, unknown musical works from the masters of the time. Between 1901 and 1939 , the society travelled 350 000 km, performing in many countries, including Russia and the USA. Among its members, it counted: Henri Casadesus (viola d'amore), Marius Casadesus (quinton), Régina Patorni-Casadesus (harpsichord), Lucette Casadesus (viola da gamba) and Maurice Devilliers (bass-viol).
In the course of his travels, Henri Casadesus assembled a remarkable collection of rare and ancient instruments which is currently housed by the Museum of Symphonic Orchestra in Boston.
Five children : Catherine, Jacqueline (with Renée Delerbat) Christian, Gisèle (with Marie-Louise Beetz) Bernard (with Jeanne Montange)
He authored several operettas ("Le Rosier", "Sans tambour, ni trompette", "La petite-fille de madame Angot", "Cotillon III"), melodies, pieces of film music ("Le gardian", "Les mystères de Paris", "Paris-New-York") and a book titled "Méthode de la viole d'amour".
6+6 Viola d'amore by Claude Aubert, France, XVIII Century
Claude AUBERT est né à Bétignicourt dans l'Aube le 19 septembre 1721,
ses parents étaient cultivateurs. On ne sait pas où il se forma, en
revanche on le retrouve à Troyes dés 1754 où il fut le seul luthier de
cette ville du XVIIIème. Sa production a été importante et variée :
Quinton de 1754 du musée de La Villette, violons et violoncelles chez François Joseph POMMET luthier à Reims, guitares de La Villette.
Il a eu comme apprentis puis comme collaborateurs Claude GIRON et Alexis
VILLAUME, d'ailleurs au mariage de ce dernier, ces trois luthiers
troyens sont signataires de l'acte de mariage.
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