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Amore e simpatia: alla scoperta della Viola d'Amore

mercoledì 30 marzo 2011

Louis Tossaint Milandre (18th century)

Pubblicato da MAURO RIGHINI a 23:00

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Calendario lezioni di viola al Conservatorio di Torino 2011-2012


Dalle 10.30 alle 17.30


Novembre 2011: 2, 4 , 9, 11, 16, 18, 23, 25, 30
Dicembre 2011: 2, 9, 14, 21
Gennaio 2012: 11, 13, 18, 20, 25
Febbraio 2012: 1, 3, 8, 10, 15, 17, 22, 24
Marzo 2012: 2, 7, 9, 14, 21, 28, 30
Aprile 2012: 4, 13, 25, 27
Maggio 2012: 2, 4, 9, 15, 16, 18, 23, 25, 30
Giugno 2012: 1, 6, 8, 13, 15
Luglio 2012
Settembre 2012: 12, 19
Ottobre 2012: 10, 17
Le mie foto
MAURO RIGHINI
MILANO, Italy
Visualizza il mio profilo completo
La mente che si apre ad una nuova idea non torna mai alla dimensione precedente.

Albert Einstein
..... Come in questo dopoguerra, quando venne fuori la storia dei dieci libri da salvare dalla distruzione atomica. Come se bastasse salvare i dieci libri, se poi non si salvano gli uomini in grado di leggerli.

Leonardo Sciascia, La scomparsa di Majorana
La musica è un diritto naturale dell'Umanità perché essa parla a tutti: potenti e umili, ricchi e poveri, felici ed infelici.

Nino Rota

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  • ▼  2011 (29)
    • ►  novembre 2011 (1)
      • German Viola d'amore, probably Markneukirchen, ear...
    • ►  ottobre 2011 (1)
      • George Hunter - Trio for recorder, viola d'amore, ...
    • ►  settembre 2011 (12)
      • L'amour à sept cordesIn this performance, Garth K...
      • Lane, Richard (1933-2004) - Viola d'amore music
      • atelier-souslecorce.fr
      • Viola d'amore by Jean Henocq, Paris, France, 1763
      • Viola d'amore by Tomas Knot, Czestochowa, Poland, ...
      • Telemann - Triple Concertos - Chandos: CHAN0580
      • Utopian Dances: Garth Knox (violas, compos...
      • Anton Huberty - Neu Method-Messige Viol d'Amor
      • Frank Martin (1890-1974) - Sonata pour viole d'amo...
      • Free edition available. La viole d'amour. Paul M...
      • Entartete Musik by Gavin Plumley
    • ►  luglio 2011 (1)
      • “The quality of the viola d’amore is f...
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      • Viola d'amore head (4+4 strings)
    • ►  maggio 2011 (6)
      • Roger Bezombes (France,1913-1994): Viola d'amore s...
      • A Viola d'Amore by Joseph Blasius Weigert, Linz, c...
      • Viola d'Amore (circa first half of the Eighteenth ...
      • Viola d'amore by A.E. Chanot, London 1911
      • Viola d'amore probabily by Alfio Batelli (1903-197...
      • Violas d'amore by Vratislav Hruby
    • ►  aprile 2011 (1)
      • Viola d'amore and double bass
    • ▼  marzo 2011 (3)
      • Louis Toussaint Milandre (18th century)
      • Louis Tossaint Milandre (18th century)
      • Viola d’amoreYou may have been taken by the very e...
    • ►  febbraio 2011 (2)
      • A german or bohemian viola-like-thing, late18th Ce...
      • Martin Bilder: Viola d'amore opus 90
    • ►  gennaio 2011 (1)
      • Frederik Rung, Danish composer (June 14, 1854 - Ja...
  • ►  2010 (27)
    • ►  dicembre 2010 (3)
      • Viola d'amore 1771
      • Viola d'amore (1739) - Germanisches Nationalmuseum...
      • Mold for viola d'amore - Médiathèque Cité de la Mu...
    • ►  novembre 2010 (3)
      • Czech viola d'amore - Early XXth Century
      • Edward Gaut - Viola d'amore: copy after Lambert, 2...
      • Olivier Calmeille - Viola d'amore
    • ►  ottobre 2010 (1)
      • Viola d'amore by Collin Mezin, Mirecourt (France),...
    • ►  agosto 2010 (3)
      • J.S. Bach, Johannes Passion
      • Ottorino Respighi (1879-1936) and the viola d'amor...
    • ►  giugno 2010 (4)
      • Viola d'amore by Matteo Baldinelli, Gubbio (Assisi...
      • The viola d'amore shares many features of the viol...
      • Viola d'Amore (plate XXVII) Author: A. J. Hipkins...
      • Viola d'Amore by Andrew Dipper, 2008, Stradivari C...
    • ►  maggio 2010 (3)
      • Atelier sous l'écorce: how to manufacture a viola ...
      • Copy of 1786 Storioni's viola d'amore, by Daniel R...
      • Viola d'amore photos by Jean Louis CLARA
    • ►  aprile 2010 (5)
      • Moennig Collection
      • Moennig Collection: violas d'amore in Napoli, Ital...
      • Médiathèque de la Cité de la Musique, Paris
      • Viola d'amore by Franz Bastel, 1733
    • ►  febbraio 2010 (3)
    • ►  gennaio 2010 (2)
  • ►  2009 (93)
    • ►  dicembre 2009 (7)
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  • ►  2008 (51)
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    • ►  giugno 2008 (15)
    • ►  maggio 2008 (1)
    • ►  aprile 2008 (17)

Lettori fissi

Links

VIOLA D'AMORE
www.violadamoresocietyofamerica.org
www.violadamore.com
www.violadamore.eu
www.quallpublications.co.uk
www.ambrosini.de

EDITIONS
http://www.musedita.it/
http://www.edition-walhall.de/
http://www.faksimiles.org/verlag.htm
http://www.viola-in-music.com/


STRINGS
www.aquilacorde.com
www.strings.it

.......

http://www.globarte.de/
www.monicacuneo.com
www.oldcameos.com
http://dollculture.blogspot.com
www.vihueladearco.blogspot.com
www.cx500club.blogspot.com

Mail to

violadamoreblog@gmail.com

Mauro Righini (viola, baroque viola and viola d'amore)


Born in Milan, he studied Violin and Viola at the Scuola Civica of Music of his city with Armando Burattin (viola solo in the Teatro alla Scala); he got his master degree in Viola at the Conservatory in Milan. He also took master classes with Elisa Pegreffi, Piero Farulli, Franco Rossi and Dino Asciolla (Quartetto Italiano); with the Hungarian pianist Gyorgy Sebok at the International master classes in Ernen (Switzerland).
He played as First Viola in the Italian Youth Orchestra in Fiesole in 1980.


Starting from 1989 he has been concentrating mostly on ancient music and worked with Laura Alvini, Roberto Gini, E. Gatti, Christopher Hogwood, Andrea Marcon, René Clemencic, Sergio Vartolo, C. Rousset, M. Radulescu, E.Kirby, J.Bowman, J.C.Malgoire, C. Coin; along the years he took part in the most important European Festivals, concerts in Europa, Canada, USA and South America and recorded for Tactus, Virgin, Naxos, Opus 111, Bongiovanni, Amadeus, Chandos, Accord, Deutsche Grammophone, RAI, RTSI, Radio France-Musique, Radio National Espanola.

In 1991 he founded the Quartetto Modi with the main aim to study the still unknown quartett repertoire of the classical and romantic period playing on original instruments; with the Quartetto Modi he recorded the Paisiello quartets (Bongiovanni) for the first time.
In 1996 was one of the founding members of the group Lo Specchio dei Suoni together with the guitar player Francesco Biraghi; through this cooperation he has devoted himself to the research and study of chamber music of the 18th and 19th century playing with original instruments and bows. The group Lo Specchio dei Suoni has performed several concerts in Italy and all over Europe; on May 27th, 2000 a big event on the chamber works of Nicolò Paganini was performed in Novara.

Alongside his activity as an viola player, Mauro Righini has dedicated himself to the revival of the viola d’amore, playing as a solo with the Ensemble Baroque in Nice, Ensemble Werther, I Virtuosi delle Muse, Il Viaggio Musicale, the Orchestra Barocca del Conservatorio di Vicenza and with the Orchestra Barocca di Novara; moreover he played at the Teatro Comunale in Firenze and Bologna, at S. Cecilia in Roma, in Lyon and Nice. In the occasion of the Feste Musicali of San Rocco in Venice, he premiered the works of G. Ferrandini (1998) and recorded the Oratorio Juditha Triumphans of Vivaldi (Modo Antiquo, 2000).
In 2008 Mauro Righini will perform them during several concerts both in Italy and Germany, and in 2010 he has recorded the Six Viola d'amore Lessons by Attilio Ariosti.

They wrote about him: “Mauro Righini”, one of the most relevant Italian virtuosi of the viola d’amore” (Il giornale di Vicenza, 2nd May 2001). “Mauro Righini with his viola d’amore plays with great performing art the aria of Juditha: Quanto magis generosa” (Amadeus, Dec. 2000).

He plays a big viola manufactured by Giacomo Zanoli (Verona, 1749) and two violas d’amore; the most ancient is a Venetian instrument, 6 strings, dating back to 1732, the most recent, with 7 strings, was manufactured by Edoardo Gorr in Cremona in 1991.
The wide range of bows used during his performances includes several ancient French bows manufactured between the end of the 18th and the first half of the 19th century.

Since 1984